{"id":10019,"date":"2020-02-03T12:33:58","date_gmt":"2020-02-03T12:33:58","guid":{"rendered":"https:\/\/leicesterbaytheatricals.com\/?p=10019"},"modified":"2025-01-17T08:39:07","modified_gmt":"2025-01-17T08:39:07","slug":"accommodations-a-play-in-three-acts","status":"publish","type":"post","link":"https:\/\/leicesterbaytheatricals.com\/?p=10019","title":{"rendered":"Accommodations &#8211; A Play in Three Acts"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-17884\" src=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-161x300.jpg\" alt=\"\" width=\"161\" height=\"300\" srcset=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-161x300.jpg 161w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-323x600.jpg 323w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-768x1428.jpg 768w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-826x1536.jpg 826w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-1102x2048.jpg 1102w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/AccommodationsLOGO-scaled.jpg 1377w\" sizes=\"auto, (max-width: 161px) 100vw, 161px\" \/>by <a href=\"https:\/\/leicesterbaytheatricals.com\/?p=8883\"><strong>Eric Samuelsen <\/strong><\/a><\/p>\n<p>Grandfather Marty is getting older and the family needs to come together and care for him.George and Veeann are both active members of their Church, caring and kind people whose only interest is his welfare. But what happens when moral principles collide with financial realities? Which tends to win out? What if those making such decisions were more selfish, less in tune with the Spirit, less caring, more grasping? \u201cIn a place where love and brutality must co-exist, what compromises are acceptable, even essential, and at what point do they become manipulations or betrayals of ourselves or others?\u201d<\/p>\n<p>Some mature language and situations.<\/p>\n<p>Although set in Utah, the play can happen any place and is also not peculiar to any one group of Faith-based persons. It is universal in its themes and actions. Slight alterations in the script may be made to accommodate various regions and Faiths around the country.<\/p>\n<p>Artworks above courtesy of Sunstone Magazine.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2><strong>PLAY DETAILS:<\/strong><\/h2>\n<ul>\n<li>(5m 3w 1tg)<\/li>\n<li>GEORGE MORTENSON \u2013\u2013 An architect in his fifties. The oldest of his siblings.<br \/>\nVEEANN MORTENSON \u2013\u2013 His wife, in her fifties.<br \/>\nMARTY MORTENSON \u2013\u2013 George\u2019s father; a man in his eighties. A former rancher; now confined to a wheelchair. He is a small man, unable to walk, but not even remotely feeble, his eyes are alert.<br \/>\nMICHAEL MORTENSON \u2013\u2013 George\u2019s youngest brother; in his mid-forties. An insurance salesman. Smaller than GEORGE, intense. A decent man, but pushed beyond his limits.<br \/>\nFRANKLIN MORTENSON \u2013\u2013 Second oldest of the Mortenson children, just two years younger than George. The assistant manager of a pharmacy. Awkward is the word for Franklin.<br \/>\nROBYN MORTENSON \u2013\u2013 Franklin\u2019s daughter: Fifteen.<br \/>\nDR.CAROLINE O\u2019HARA \u2013\u2013 George\u2019s sister; between Michael and Franklin in age. A pediatrician. A very professional woman, younger than the others, opinionated, outspoken, a bit disorganized, but basically well-meaning. Kind enough, when not crossed.<br \/>\nCHUCK HARSTAD \u2013\u2013 George and Veeann\u2019s son-in-law and and the foreman of Marty\u2019s old ranch. Good looking in a blue collar sort of way, sullen.<br \/>\nLYNN HARSTAD \u2013\u2013 George and Veeann\u2019s daughter; married to Chuck. A quiet, worn looking, self-possessed young woman, in her late twenties to early thirties.<\/li>\n<li>1 Interior setting<\/li>\n<li>About 2 hours<\/li>\n<li><strong>ORDER #2023<\/strong><\/li>\n<\/ul>\n<hr \/>\n<h2><strong>COMMENTS:<\/strong><\/h2>\n<p><strong>A note from the original BYU program by Thomas Rogers\u2014Director of the original BYU production.<\/strong><\/p>\n<blockquote><p><em>&#8220;These premiere performances of Accommodations introduce an accomplished and most promising playwright to the BYU Mainstage. Accommodations also makes a significant contribution to the as yet far too limited canon of important Mormon plays.<\/em><\/p>\n<p><em>I have heard Eric Samuelsen intelligently and passionately expound on the present state of Mormon theater, and I agree that in the last several years it has become an almost extinct art form.<\/em><\/p>\n<p><em>Professor Samuelsen does more than complain however \u2014 as his final realistic script witnesses. It is a script that, as others have noted, could be about many a contemporary family \u2014 Mormon, Jewish, Catholic, etc. But, by holding up it\u2019s a mirror to the LDS Mortonsons \u2014 without varnish or easy solutions \u2014 Accommodations it reminds us of all we have in common with others, that the social ills we so decry elsewhere are, often as not, ours too. The play is caustic but possibly therapeutic, like a good emetic. Ever since Aristotle, after all, that has been the intent of all serious drama.<\/em><\/p>\n<p><em>I am also impressed with the scripts architectonics, its structure, which in performance the actors have tried to render almost musically, in rhythmic cadences and swells. Had it been my play, I\u2019d have a titled its three acts: \u201cAndante,\u201d \u201cFugues,\u201c and \u201cScherzo.\u201d&#8221;<\/em><\/p><\/blockquote>\n<hr \/>\n<h2><strong>AWARD:<\/strong><\/h2>\n<h2>1994 \u00a0Association for Mormon Letters Award: Drama<\/h2>\n<blockquote><p><em>&#8220;On the frontier where Mormon ideals meet the everyday world of men and women, all of us need a place to stay or go, retreat to or take a stand. But Eric Samuelsen knows that borders can be confusing and densely populated. They teem with competing individuals, emotions, values, and spirits&#8211;in circumstances as profound and common as birth and death, with drives as crass but inescapable as greed and lust&#8211;that infringe upon, thwart, or even displace us in our quest for some sanctuary. &#8220;Accommodations&#8221; presents a compelling dramatic story crafted with characters and forms we comfortably recognize and can relate to. A carefully constructed, masterfully worded prose-poetic meditation on embattled spaces unfolds, replete with symbolic touchstone diction, references, and events: real estate developments, hotel rooms, a progressively more cluttered set, old rooms, others&#8217; rooms, and no room&#8211;as well as, more ominously, burglaries, powerlifting machines, courtrooms, broken fences and shattered vows. In a place where love and brutality must co-exist, what compromises are acceptable, even essential, and at what point do they become manipulations or betrayals of ourselves or others? &#8220;Accommodations&#8221; unflinchingly confronts these dilemmas, &#8220;warning&#8221; us (in Samuelsen&#8217;s word) of dangers, hinting at possibilities, and, wisely, despite a hopeful ending, guaranteeing no solutions.&#8221; &#8212; <strong>Copyright 1994 The Association for Mormon Letters<\/strong><\/em><\/p><\/blockquote>\n<hr \/>\n<h2><strong>PERUSAL MATERIALS<\/strong><\/h2>\n<ul>\n<li>The <strong>PERUSAL PAGES<\/strong> file is in PDF format and contains the first half of the play:<\/li>\n<\/ul>\n<p><a href=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/Accommodations-PERUSAL.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-18790\" src=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2023\/04\/Perusal-Script-300x94.jpg\" alt=\"\" width=\"211\" height=\"66\" \/><\/a><\/p>\n<hr \/>\n<h2><strong>PURCHASE REHEARSAL MATERIALS:<\/strong><\/h2>\n<p>(Any PDF purchased will be emailed to your email address &#8212; if you need to provide that to us (not the one on your PayPal account?), <a href=\"mailto:\/\/cmichaelperry53@gmail.com\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>email us.<\/strong><\/a> CDs will be mailed to a snail mail address. Do not purchase rehearsal materials or pay for royalties until you have performance clearance.)<\/p>\n<ul>\n<li><strong>Script<\/strong> in PDF format\u00a0 &#8212; Order #<strong>2023a<\/strong> : <em><strong>$25.00<\/strong><\/em> (from which you will be authorized to copy for your production)<br \/>\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"paypal\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/><br \/>\n<input name=\"hosted_button_id\" type=\"hidden\" value=\"PYMJVB5CCRKZE\" \/><br \/>\n<input alt=\"PayPal - The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/btn\/btn_cart_LG.gif\" type=\"image\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<\/li>\n<li><strong>First Performance Amateur\/Educational Royalty<\/strong> &#8212; Order #<strong>2023d<\/strong> : <strong>$75<br \/>\n<\/strong><\/p>\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"paypal\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/><br \/>\n<input name=\"hosted_button_id\" type=\"hidden\" value=\"9VWKCTJWZB4FQ\" \/><br \/>\n<input alt=\"PayPal - The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/btn\/btn_cart_LG.gif\" type=\"image\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<\/li>\n<li><strong>Second Performance Amateur\/Educational Royalty<\/strong> &#8212; Order #<strong>2023e : $65<br \/>\n<\/strong><\/p>\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"paypal\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/><br \/>\n<input name=\"hosted_button_id\" type=\"hidden\" value=\"B78CNK5SU6CG6\" \/><br \/>\n<input alt=\"PayPal - The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/btn\/btn_cart_LG.gif\" type=\"image\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<\/li>\n<li><strong>Professional Royalties<\/strong> will be quoted upon application<\/li>\n<li><strong><a href=\"https:\/\/leicesterbaytheatricals.com\/?page_id=8530\">Performance License Application:<\/a> <\/strong>No production rights can be granted until this application is filled out and sent to us. This is a filler form that after you click &#8220;SUBMIT&#8221; will send directly to our email address. Response averages 2-3 business days.<\/li>\n<\/ul>\n<form action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"paypal\"><input name=\"cmd\" type=\"hidden\" value=\"_s-xclick\" \/><br \/>\n<input name=\"encrypted\" type=\"hidden\" value=\"-----BEGIN PKCS7-----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-----END PKCS7----- \" \/><br \/>\n<input alt=\"PayPal - The safer, easier way to pay online!\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/btn\/btn_viewcart_LG.gif\" type=\"image\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypalobjects.com\/en_US\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/form>\n<hr \/>\n<h2><strong>PRODUCTIONS<\/strong><\/h2>\n<ul>\n<li><strong>WINNER: Association for Mormon Letters Drama Award, 1994<\/strong><\/li>\n<li><strong>Published in Sunstone Magazine, 1994<\/strong><\/li>\n<li><strong>Premiered at Brigham Young University, 1993<br \/>\n<\/strong><\/li>\n<li>\n<figure id=\"attachment_10077\" aria-describedby=\"caption-attachment-10077\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/Accommodations1993BYU.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10077\" src=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/Accommodations1993BYU-300x247.png\" alt=\"\" width=\"300\" height=\"247\" srcset=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/Accommodations1993BYU-300x247.png 300w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/Accommodations1993BYU.png 497w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-10077\" class=\"wp-caption-text\">from the original production at BYU in 1993<\/figcaption><\/figure>\n<p><figure id=\"attachment_17886\" aria-describedby=\"caption-attachment-17886\" style=\"width: 157px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17886 size-medium\" src=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/accommodationsPROGRAM-1993-scaled-e1669933383383-157x300.jpg\" alt=\"\" width=\"157\" height=\"300\" srcset=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/accommodationsPROGRAM-1993-scaled-e1669933383383-157x300.jpg 157w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/accommodationsPROGRAM-1993-scaled-e1669933383383-314x600.jpg 314w, https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/accommodationsPROGRAM-1993-scaled-e1669933383383.jpg 418w\" sizes=\"auto, (max-width: 157px) 100vw, 157px\" \/><figcaption id=\"caption-attachment-17886\" class=\"wp-caption-text\">1993 Program<\/figcaption><\/figure><\/li>\n<\/ul>\n<hr \/>\n<h2>BILLING CREDITS<\/h2>\n<p>The following is how the credits should read in all programs, posters, fliers, handbills and other promotional advertising for the show:<\/p>\n<p><strong>Accommodations<\/strong><br \/>\nA Play in Three Acts<\/p>\n<p>by<br \/>\n<strong>Eric Samuelsen<\/strong><\/p>\n<p>NOTE: The names of the Playwright(s), Composer, Lyricist, and Bookwriter shall be equal in size, type, coloring, boldness, and prominence. No billing shall appear in type larger or more prominent than the billing to the Authors except for the title of the play. (In a press release all type, will of course, be the same size.)<\/p>\n<p>ALSO:<\/p>\n<p>THIS NOTICE MUST APPEAR IN ALL PROGRAMS, ON ALL POSTERS AND PUBLICITY MATERIALS AND INTERNET ADVERTISING\/WEBPAGES FOR THE PLAY:<br \/>\n\u201c<em>Accommodations<\/em> is presented through special arrangement with Leicester Bay Theatricals.\u00a0 All authorized materials are also supplied by LBT, www.leicesterbaytheatricals.com\u201d<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">From the catalog of<\/p>\n<p><a href=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2013\/07\/LBT-logo-Large-1x1-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2013\/07\/LBT-logo-Large-1x1-5-240x300.jpg\" alt=\"LBTNEWlogo\" width=\"128\" height=\"161\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Eric Samuelsen Grandfather Marty is getting older and the family needs to come together and care for him.George and Veeann are<\/p>\n<p class=\"link-more\"><a class=\"myButt \" href=\"https:\/\/leicesterbaytheatricals.com\/?p=10019\">Read More<\/a><\/p>\n","protected":false},"author":3,"featured_media":17887,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[715,711,709,276,275,710,316,716],"tags":[144,90,110,425,168,407,8,405,41,109,326,394,449,378],"class_list":["post-10019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-church-theatre","category-college-university-theatre","category-community-theatre","category-family-theatre","category-intergenerational-theatre","category-professional-theatre","category-religious-titles","category-senior-theatre","tag-aging","tag-award-winners","tag-contemporary","tag-drama","tag-family","tag-family-issues","tag-lbt-plays","tag-lds","tag-play","tag-relationships","tag-seniors-in-cast","tag-zt-zion-theatricals","tag-zt-awardwinners","tag-zt-plays"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/leicesterbaytheatricals.com\/wp-content\/uploads\/2020\/02\/Accommodations-ART.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6fXeh-2BB","_links":{"self":[{"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/posts\/10019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10019"}],"version-history":[{"count":6,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/posts\/10019\/revisions"}],"predecessor-version":[{"id":21610,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/posts\/10019\/revisions\/21610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=\/wp\/v2\/media\/17887"}],"wp:attachment":[{"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leicesterbaytheatricals.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}